Remember that night my mouth forgot how to work and you said we’re most beautiful when we struggle? Well, sometimes my life has more beauty than I can handle. All these beautiful past-due bills and this beautiful jacked up rent. All of these beautiful rotten teeth, my eyes so beautiful that they can’t see. The most beautiful taxman cometh, he wants us to pay for what we’ve seen. And the beautiful friends in this room will never forgive but they’re always sure to forget.

I don’t wanna go home unless I’m going home to you. I don’t wanna go home to fall asleep with the TV on.

— Double Dagger - Sleeping With The TV On (via velodrone)

(via velodrone)

slippier:

Erwin Wurm - One Minute Scuptures

slippier:

Erwin Wurm - One Minute Scuptures

(via leprintemps)

“Loneliness is black coffee and late-night television; solitude is herb tea and soft music. Solitude, quality solitude, is an assertion of self-worth, because only in the stillness can we hear the truth of our own unique voices.”
— (via strictlychic)

(via leprintemps)

violentwavesofemotion:

Le Petit Soldat (1963) dir. by Jean-Luc Godard: “It’s strange. When I look myself in the face…I get the feeling I don’t match what I think it’s inside.” violentwavesofemotion:

Le Petit Soldat (1963) dir. by Jean-Luc Godard: “It’s strange. When I look myself in the face…I get the feeling I don’t match what I think it’s inside.” violentwavesofemotion:

Le Petit Soldat (1963) dir. by Jean-Luc Godard: “It’s strange. When I look myself in the face…I get the feeling I don’t match what I think it’s inside.” violentwavesofemotion:

Le Petit Soldat (1963) dir. by Jean-Luc Godard: “It’s strange. When I look myself in the face…I get the feeling I don’t match what I think it’s inside.” violentwavesofemotion:

Le Petit Soldat (1963) dir. by Jean-Luc Godard: “It’s strange. When I look myself in the face…I get the feeling I don’t match what I think it’s inside.” violentwavesofemotion:

Le Petit Soldat (1963) dir. by Jean-Luc Godard: “It’s strange. When I look myself in the face…I get the feeling I don’t match what I think it’s inside.”

violentwavesofemotion:

Le Petit Soldat (1963) dir. by Jean-Luc Godard: It’s strange. When I look myself in the face…I get the feeling I don’t match what I think it’s inside.”

“Some people kiss as if they were eating watermelon”

image
11/05/1912 – 18/1/1955

Saadat Hasan Manto

 

(via variationsforthehealingofmishka)

(via honey-spider)

fotojournalismus:

Dmitry Gomberg: Akrak Vazha (The Shepherd’s Way)
Artist’s statement: 
"This is a story about Tusheti - mountain region in the Republic of Georgia. Tusheti lies near the Chechen border and it is culturally closer to Chechens than to Georgians.
The story is about shepherds who travel every summer to their ancestors’ land Tusheti and than return to spend the winter at the bottom of the mountain. Twice a year they travel with their sheep through the pass in the Caucasus which is 3,000 meters high. 
I was staying and documenting life of the Shepherds in the Caucasus mountains for 5 years. These people have been cheese makers since before Christ. Their life is simple and harsh, but beautiful.”
(via 5centsapound)
fotojournalismus:

Dmitry Gomberg: Akrak Vazha (The Shepherd’s Way)
Artist’s statement: 
"This is a story about Tusheti - mountain region in the Republic of Georgia. Tusheti lies near the Chechen border and it is culturally closer to Chechens than to Georgians.
The story is about shepherds who travel every summer to their ancestors’ land Tusheti and than return to spend the winter at the bottom of the mountain. Twice a year they travel with their sheep through the pass in the Caucasus which is 3,000 meters high. 
I was staying and documenting life of the Shepherds in the Caucasus mountains for 5 years. These people have been cheese makers since before Christ. Their life is simple and harsh, but beautiful.”
(via 5centsapound)
fotojournalismus:

Dmitry Gomberg: Akrak Vazha (The Shepherd’s Way)
Artist’s statement: 
"This is a story about Tusheti - mountain region in the Republic of Georgia. Tusheti lies near the Chechen border and it is culturally closer to Chechens than to Georgians.
The story is about shepherds who travel every summer to their ancestors’ land Tusheti and than return to spend the winter at the bottom of the mountain. Twice a year they travel with their sheep through the pass in the Caucasus which is 3,000 meters high. 
I was staying and documenting life of the Shepherds in the Caucasus mountains for 5 years. These people have been cheese makers since before Christ. Their life is simple and harsh, but beautiful.”
(via 5centsapound)
fotojournalismus:

Dmitry Gomberg: Akrak Vazha (The Shepherd’s Way)
Artist’s statement: 
"This is a story about Tusheti - mountain region in the Republic of Georgia. Tusheti lies near the Chechen border and it is culturally closer to Chechens than to Georgians.
The story is about shepherds who travel every summer to their ancestors’ land Tusheti and than return to spend the winter at the bottom of the mountain. Twice a year they travel with their sheep through the pass in the Caucasus which is 3,000 meters high. 
I was staying and documenting life of the Shepherds in the Caucasus mountains for 5 years. These people have been cheese makers since before Christ. Their life is simple and harsh, but beautiful.”
(via 5centsapound)
fotojournalismus:

Dmitry Gomberg: Akrak Vazha (The Shepherd’s Way)
Artist’s statement: 
"This is a story about Tusheti - mountain region in the Republic of Georgia. Tusheti lies near the Chechen border and it is culturally closer to Chechens than to Georgians.
The story is about shepherds who travel every summer to their ancestors’ land Tusheti and than return to spend the winter at the bottom of the mountain. Twice a year they travel with their sheep through the pass in the Caucasus which is 3,000 meters high. 
I was staying and documenting life of the Shepherds in the Caucasus mountains for 5 years. These people have been cheese makers since before Christ. Their life is simple and harsh, but beautiful.”
(via 5centsapound)
fotojournalismus:

Dmitry Gomberg: Akrak Vazha (The Shepherd’s Way)
Artist’s statement: 
"This is a story about Tusheti - mountain region in the Republic of Georgia. Tusheti lies near the Chechen border and it is culturally closer to Chechens than to Georgians.
The story is about shepherds who travel every summer to their ancestors’ land Tusheti and than return to spend the winter at the bottom of the mountain. Twice a year they travel with their sheep through the pass in the Caucasus which is 3,000 meters high. 
I was staying and documenting life of the Shepherds in the Caucasus mountains for 5 years. These people have been cheese makers since before Christ. Their life is simple and harsh, but beautiful.”
(via 5centsapound)
fotojournalismus:

Dmitry Gomberg: Akrak Vazha (The Shepherd’s Way)
Artist’s statement: 
"This is a story about Tusheti - mountain region in the Republic of Georgia. Tusheti lies near the Chechen border and it is culturally closer to Chechens than to Georgians.
The story is about shepherds who travel every summer to their ancestors’ land Tusheti and than return to spend the winter at the bottom of the mountain. Twice a year they travel with their sheep through the pass in the Caucasus which is 3,000 meters high. 
I was staying and documenting life of the Shepherds in the Caucasus mountains for 5 years. These people have been cheese makers since before Christ. Their life is simple and harsh, but beautiful.”
(via 5centsapound)
fotojournalismus:

Dmitry Gomberg: Akrak Vazha (The Shepherd’s Way)
Artist’s statement: 
"This is a story about Tusheti - mountain region in the Republic of Georgia. Tusheti lies near the Chechen border and it is culturally closer to Chechens than to Georgians.
The story is about shepherds who travel every summer to their ancestors’ land Tusheti and than return to spend the winter at the bottom of the mountain. Twice a year they travel with their sheep through the pass in the Caucasus which is 3,000 meters high. 
I was staying and documenting life of the Shepherds in the Caucasus mountains for 5 years. These people have been cheese makers since before Christ. Their life is simple and harsh, but beautiful.”
(via 5centsapound)
fotojournalismus:

Dmitry Gomberg: Akrak Vazha (The Shepherd’s Way)
Artist’s statement: 
"This is a story about Tusheti - mountain region in the Republic of Georgia. Tusheti lies near the Chechen border and it is culturally closer to Chechens than to Georgians.
The story is about shepherds who travel every summer to their ancestors’ land Tusheti and than return to spend the winter at the bottom of the mountain. Twice a year they travel with their sheep through the pass in the Caucasus which is 3,000 meters high. 
I was staying and documenting life of the Shepherds in the Caucasus mountains for 5 years. These people have been cheese makers since before Christ. Their life is simple and harsh, but beautiful.”
(via 5centsapound)
fotojournalismus:

Dmitry Gomberg: Akrak Vazha (The Shepherd’s Way)
Artist’s statement: 
"This is a story about Tusheti - mountain region in the Republic of Georgia. Tusheti lies near the Chechen border and it is culturally closer to Chechens than to Georgians.
The story is about shepherds who travel every summer to their ancestors’ land Tusheti and than return to spend the winter at the bottom of the mountain. Twice a year they travel with their sheep through the pass in the Caucasus which is 3,000 meters high. 
I was staying and documenting life of the Shepherds in the Caucasus mountains for 5 years. These people have been cheese makers since before Christ. Their life is simple and harsh, but beautiful.”
(via 5centsapound)

fotojournalismus:

Dmitry GombergAkrak Vazha (The Shepherd’s Way)

Artist’s statement: 

"This is a story about Tusheti - mountain region in the Republic of Georgia. Tusheti lies near the Chechen border and it is culturally closer to Chechens than to Georgians.

The story is about shepherds who travel every summer to their ancestors’ land Tusheti and than return to spend the winter at the bottom of the mountain. Twice a year they travel with their sheep through the pass in the Caucasus which is 3,000 meters high. 

I was staying and documenting life of the Shepherds in the Caucasus mountains for 5 years. These people have been cheese makers since before Christ. Their life is simple and harsh, but beautiful.”

(via 5centsapound)

(via hoodvent)

20aliens:

Everyone I Have Ever Slept With 1963-1995 - Tracey Emin 

Everyone I Have Ever Slept With was a tent appliquéd with 102 names of the people she had slept with up to the time of its creation in 1995. The title is often misinterpreted as a euphemism indicating sexual partners and the work termed “a list of all the people that Emin has ever had sex with”, but is in fact intended more inclusively:
“Some I’d had a shag with in bed or against a wall some I had just slept with, like my grandma. I used to lay in her bed and hold her hand. We used to listen to the radio together and nod off to sleep. You don’t do that with someone you don’t love and don’t care about.”
The names include family, friends, drinking partners, lovers and even two numbered foetuses. The name of former boyfriend, Billy Childish, could be seen prominently through the tent opening. The tent was square and coloured blue; its shape was reminiscent of the Margate Shell Grotto, with which Emin was very familiar from childhood; inside on the floor of the tent was the text, "With myself, always myself, never forgetting"
20aliens:

Everyone I Have Ever Slept With 1963-1995 - Tracey Emin 

Everyone I Have Ever Slept With was a tent appliquéd with 102 names of the people she had slept with up to the time of its creation in 1995. The title is often misinterpreted as a euphemism indicating sexual partners and the work termed “a list of all the people that Emin has ever had sex with”, but is in fact intended more inclusively:
“Some I’d had a shag with in bed or against a wall some I had just slept with, like my grandma. I used to lay in her bed and hold her hand. We used to listen to the radio together and nod off to sleep. You don’t do that with someone you don’t love and don’t care about.”
The names include family, friends, drinking partners, lovers and even two numbered foetuses. The name of former boyfriend, Billy Childish, could be seen prominently through the tent opening. The tent was square and coloured blue; its shape was reminiscent of the Margate Shell Grotto, with which Emin was very familiar from childhood; inside on the floor of the tent was the text, "With myself, always myself, never forgetting"

20aliens:

Everyone I Have Ever Slept With 1963-1995 - Tracey Emin 

Everyone I Have Ever Slept With was a tent appliquéd with 102 names of the people she had slept with up to the time of its creation in 1995. The title is often misinterpreted as a euphemism indicating sexual partners and the work termed “a list of all the people that Emin has ever had sex with”, but is in fact intended more inclusively:

“Some I’d had a shag with in bed or against a wall some I had just slept with, like my grandma. I used to lay in her bed and hold her hand. We used to listen to the radio together and nod off to sleep. You don’t do that with someone you don’t love and don’t care about.”

The names include family, friends, drinking partners, lovers and even two numbered foetuses. The name of former boyfriend, Billy Childish, could be seen prominently through the tent opening. The tent was square and coloured blue; its shape was reminiscent of the Margate Shell Grotto, with which Emin was very familiar from childhood; inside on the floor of the tent was the text, "With myself, always myself, never forgetting"

(via swtchblade-sisters)

ease:

give people what they want, they leave

don’t give people what they want, they leave